When I was at Vermont Studio Center, visiting artist Timothy Hyman came to call on me in my studio space. In the last few weeks I have thought many times of something he said to me... "when you have a full time studio practice you will have to come face to face with what it is you are doing/want as an artist". At that time when studio time was something that happened in short pressured hours with much urgency I believed that I would always know my direction. By the time I got into my studio I was usually ready to explode with pent up energy and worked without a lot of thought.
Is that good or bad? I think it was just the way it was. And now it's different. I've been working 25-30 hours a week in my little art haven. Here are some of the thoughts that have come into my head over and over. I try not to dwell on negativity, but since ignoring my thoughts did no good I am now writing them down and looking for answers.
1. Why do this? What good is something you don't get paid for?
2. Who do you think you are? (my personal fave)
3. You can't do anything as good as the works you have done in the past. (even if the past was yesterday!)
The list goes on, but you get the idea.
I've been reading Squeak Carnwath's book, Painting is No Ordinary Object. I have loved her paintings for a long time, but the essay in the book is really good. Many quotes to ponder that address all of the above questions and my incessant doubting mind.
"A painting reveals, covers and uncovers. It is the archeology of the mind. It is about the cosmology of the soul." -Squeak Carnwath
I have a large white piece of paper on the wall where I write down things and draw pictures. Yesterday I wrote: "I hope someone sees my painting and stops and imagines a story".